![]() ![]() With 14 weights the difference between weights are closer together which may give you the effect of a variable font where variable fonts are not supported. Case sensitive forms have also been added to all weights. All the alternates now have matching accented glyphs across all weights. In this new version we've removed any alternatives that could not be shared across all weights in the family and we've trimmed a few others that just were not practical in keeping a consistent look to the whole font. Gold is all new for 2021, the complete family has been rebuilt using the multiple masters technique. The Phone typeface is in a way evoking the feeling of some Gaelic font and of the Papyrus font (by Chris Costello, though, not being based on neither of those), having an exotic and an exquisite look, under the category of "Soft Fonts & Friendly Faces". A distinctive trait of the Phone typeface, is a high x-height combined with relatively short ascenders. ![]() The t_t ligature is something unique to Phone, as well as the t_z ligature, among others and extras. Designed with the intention of harmonizing between four scripts - Latin, Cyrillic, Greek and Hebrew the whole family has a comprehensive set of characters-in addition to the Latin letters, the Phone typeface also has a full set of characters for Vietnamese, partially extended Cyrillic, Greek and Hebrew (sold separately). Each glyph design has been treated as an 'individual character'-the way I would treat a breathing, living, vulnerable and courteous human being looking after each and every character as if it was my only child - bringing to light the authenticity and uniqueness of each individual, as well as my objective to bring about peace and harmony between them all as a whole. Each glyph design combines its unique shapes and stylish ink-traps with parabolic curves. to branding, advertising, publicity and digital. And regarding the “Phone Pro” project in general, this is what I wrote: 'PRISTINE' this font is-neither beautiful nor ugly, neither vigorous nor weak, neither traditional nor modern, neither serif nor sans serif, neither script nor printable, neither a text font nor a display font-it is rather all of the above, which makes it a more versatile typographic tool- characters that are well-suited for a wide variety of applications-from editorial design, greeting cards. Note: the 'Phone Pro Hebrew' typeface, includes just the Hebrew characters of the comprehensive "Phone Pro" family font, sold separately, so they are economical for those interested just in the Hebrew Characters.
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